Janas presents amoebic forms recalling organs, bodily fluids and various body parts that contrast with hard edged machine-like mechanisms that seemingly puncture and wound. Fleshy pinks and reds associated with living organisms are juxtaposed with violent brushstrokes. Each painting evokes the actions of scratching, pulling and prodding, creating a sense of depth as one representational element penetrates another. Organic forms taper into talons as they scrape against the walls of their own interior. Mixing the imagery of Constructivism, Francis Bacon and Paul Thek, these dark invocations are ultimately indebted to the language of surrealism.
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