INSIDE AND OUTSIDE
— VISUALIZING DIFFERENT
PERSONALITIES OF PEOPLE AND OBJECTS
RESEARCH QUESTION
With the amazing
advancement of the video-saturated
and digitally-enhanced society and the development
of the individual, the way people think has undergone profound changes related
to the past time. The definition
of the feeling, like happiness and safety is very simple in people’s mind
during the bygone days, but that kind of happiness and safety cannot satisfy
them in the contemporary society.
As a consequence, they are seeking for more things either physical or
psychological to make them feel happy or safe. They cannot be themselves like they were yesterday. Eventually, some people lose themselves
under their huge desires that are not always fulfilled, and meanwhile, they are
gradually becoming more and more complicated. The complexity can be reflected in
people’s personality. Not only do
split personality mental patients have totally different two personalities,
actually the normal persons also have two ones, even multiple personalities.
The point that I am
exploring will do a great job in evoking people to rethink about themselves and
discover their inner thoughts that they always ignore or push aside, so that
they can know themselves more deeply and control the personalities properly
under different situations. What’s
more, it will exert beneficial impact on seeking the balance between positive and
negative personalities in one body or object, and the different ways of seeing.
On the other hand, it is clearly natural
that the development of art is intimately bound up with the advancement of the
society. If artwork, as a special
mental production in the society, separates from the public, they will be
entirely insignificant. For example, as Perricone (1990) points
out in reference to the relationship between artist and viewer, ‘work
of art is like a magnet between creators and appreciators that occurs as a sort
of connected relationship with attributes just like the things it links
together are more dynamic than they been exhibited in isolation.’ Artists
express the thought in their work, from which viewers receive the information
by appreciating and thinking by themselves. Art is a process of mind communicating between artist and viewer; in which artist collaborate
with viewer intangibly through the artwork. So the way that how to collaborate with viewer effectively
is worth exploring.
RESEARCH CONTEXT
My original research bases on a
quote “Words are unreliable” by Chinese artist Xu Bing, which is the theme for
our first two-week project. I did
the work “You make me feel so safe, Jessica” to prove the quote. From my own perspective, a sentence in
different context is totally different. The feeling of safety can be
transferred to unsafety, even risk.
Actually, not only are words unreliable, everything around is also
unreliable. Take people as an
example: sometimes people do things that goes against the real thoughts of
their heart, and then they will confuse why they did that and why the behavior
cannot be the same as thoughts on the grounds that people do not know
themselves deeply or they cannot control their behavior with a kind of objective
reasoning.
METHODOLOGY
Firstly, my research driven by practice in different studios in
Camberwell College
of Arts, and I will make full use of the resources that are available in
school, like Letter
Press, Print Making, Digital and 3D Workshop. Before doing that, I will do some research and analysis on
different materials at home due to the fact that the material, like human
being, have different features in different situations, and the way how artist communicates with viewer in
their artwork. What’s more, my future practice will try to challenge the conventional
photographic and sculptural art, and enabled viewer to become aware of the
their own identity in the perception of the work. To some extent, it means that
I will try to create works that contains the viewer rather than drawing the
viewer’s attention towards some concrete external objects and runs contrary to
people’s usual experiences and expectations and challenges them intellectually
and emotionally, in a sense, can tell them about themselves, about their own
obsessions and desires in the past and future.
Secondly, it is universally
acknowledged that London is an international art and design centre and the city
is distinctively attractive, so I will visit exhibitions as much as possible regarding to art and design
in the UK, especially in London, to expand and complete my design ideas. Last but
not least, the resource in the library is an integral part of my research and
it is the major source of theory to
support my viewpoint.
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